http://www.jamesperkinsstudio.com/installs daily 1.0 2025-11-01 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1634852858890-ORE6U4PUEO5OS7FCE19P/image-asset.jpeg BURYING SERIES - James working at his Fire Island studio. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1634852858890-ORE6U4PUEO5OS7FCE19P/image-asset.jpeg BURYING SERIES - James working at his Fire Island studio. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1544891417524-RQTCU8NJZWWLNEGMSH4M/IMG_2660.JPG BURYING SERIES - Tamarisk, 2018 Tamarisk 2018 Burying Painting Series 2 Fire Island, New York Silk, sun, sand, wind, wood, water, aluminum 92 x 33 x 3.75 inches A nonsite panel from outdoor installation. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1544891699133-TDCW5WJEMSELYHAJO5QN/IMG_2665.JPG BURYING SERIES - Event Horizon: All Blues, Nonsite Square, 2018 Burying Painting Series 02 Event Horizon: All Blues Nonsite: Navy Blue Square Fire Island, NY 2018 Silk, sun, sand, wind, wood, water, aluminum 44 x 32 x 2 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1500136536645-6QD4VEQK5VRF26KVGMGO/Perkins_James_01.jpg BURYING SERIES - Putting You Mother Fuckers in the Field, 2016 Putting You Mother Fuckers in the Field Single channel video installation. Fire Island, New York 2016 Duration 60:05 Dimensions variable. Loro Piana pinstriped textile, silk, wood, sun, sand, rain. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1528781098850-54V9HTWPO401D2ZUNFR4/814A038F-9B7F-4FBC-A008-7CAEA948BB27.jpeg BURYING SERIES - Nonsite: Teal Burying Painting Series No. 1 Event Horizon No. 2 Nonsite: Teal 2017 Silk, sun, sand, wind, wood, water, aluminum 104 x 33 x 3.75 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1528781963594-JACW7A71QZBSBMFX7211/2299B9F0-9B7E-41CD-90CD-90A9440C8595.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1528781492261-5CUJVU406PE4SPWJQM7A/D6B2081E-337E-4E71-B67A-85617E44743E.jpeg BURYING SERIES - Burying Painting No. 1, 2017 (Nonsite: Pink) Burying Painting: Event Horizon No. 1 Nonsite - Pink Fire Island, New York 2017 94 x 15 x 3.75 inches Silk, sun, sand, wind, wood, water, aluminum https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1602391441092-9B81EM1EV57WBXU1DEIL/image-asset.jpeg BURYING SERIES - James Perkins in Fire Island New York Portrait by Bryson Malone https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1579237360208-J4NZODYL9DGA9I82MDLT/image-asset.jpeg BURYING SERIES - Event Horizon Pink Triangle Event Horizon Pink Triangle Fire Island, New York 2019 Silk, sun, sand, wind, wood, water, aluminum 29 x 3 x 110 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1528781842200-IPIRUGDBCQ89KB85VVMP/01770553-94E7-4FB5-9F2F-2DADF4CB38E5.jpeg BURYING SERIES - Nonsite: Sky Burying Painting Series No. 1 Nonsite: Sky 2017 Silk, sun, sand, wind, wood, water, aluminum 104 x 33 x 3.75 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1608057159028-SYOBWXXB01WVKE2ZA7UR/image-asset.jpeg BURYING SERIES - Burying Painting Event Horizon Blue Triangle, Fire Island, NY Burying Painting Series Event Horizon Blue Triangle Fire Island, New York 2019 Silk, sun, sand, wind, wood, water, aluminum 29 x 3 x 110 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1600149455710-U8EPLY5HINGTALLA661Z/image-asset.jpeg BURYING SERIES - James Perkins working with his son Judd photo by James Needham https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1701367138909-SZRFYIBN23D95IPS1AF4/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1603220075096-9SIAUSFR78DJI3PS7O2P/image-asset.jpeg BURYING SERIES - James Perkins working in his Fire Island NY studio. Portrait by James Needham https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1634852823578-OT3ZE2F3CDAZ2H2TBWIW/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1628088655684-COYC4D50ADOQ0LK3JMTW/image-asset.jpeg BURYING SERIES - An Opera of Painting https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1657674969620-AQ1YRI7XKJD7IU5S6TBG/image-asset.jpeg BURYING SERIES - Installation at Hannah Traore Gallery https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1528781812250-32T7YSPW8FTHN49NOGO5/51ABC203-8778-43E0-9A77-F5A02C577AC4.jpeg BURYING SERIES - Burying Painting Series 01, Nonsite Orange, 2017 Burying Painting: Event Horizon No. 3 Nonsite: Orange 2017 Silk, sun, sand, wind, wood, water, aluminum 95 x 50 x 2 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1544891892803-JX0UE2AOJTLLFJ1DB1UD/IMG_2672.JPG BURYING SERIES - Event Horizon Study for ATCO, 2018 Untitled Event Horizon Study for ATCO Manhattan, New York Nonsite: Blue 2018 Silk, sun, wind, wood, rain, aluminum 33 x 15 x 3.75 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731465071386-1ANJ01GC3SC7LL1J9D94/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1652335637487-0EVDJPQ9GC9EFQFN1CCA/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1528781657910-PJIHA9KHJXIPK638KWOJ/BADC2DA8-81CB-4408-AB34-8AB2E4872AC1.jpeg BURYING SERIES - Burying Painting Series 01, Nonsite: Silver, 2017 Burying Painting: Event Horizon No. 3 Nonsite: Silver Fire Island, New York 2017 Silk, sun, sand, wind, wood, water, aluminum 95 x 50 x 2 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1634852772712-V60380374BMYYPF6EXEB/image-asset.jpeg BURYING SERIES - James at his Long Island City Studio. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1600148788564-F920CGU37NZCQ15F1LTP/image-asset.jpeg BURYING SERIES - James Perkins for Sleepy Jones photo by Christopher Starbody https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1528782080807-5EIG2EVTPRJHTLTAZ9JJ/0ABC1F4E-4970-43CC-8BCF-0897A95DB475.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1535900481914-HKMSKU8WWWSYB3QZCMYQ/27590D76-BB1C-44DF-A83D-C56FF7298FED.jpeg BURYING SERIES - Burying Painting Series Nonsite: Yellow, 2017 Burying Painting: Event Horizon No. 5 Nonsite: Yellow Fire Island, NY 2017 Yellow: 43 x 36 x 3.75 Silk, sun, sand, wind, wood, water, aluminum https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1544891767279-3LMC3EZKU5BLXMWOPDUD/IMG_2667.JPG BURYING SERIES - Event Horizon: All Blues, Nonsite Square, 2018 Burying Painting Series 02 Event Horizon: All Blues Nonsite: Navy Blue Square Fire Island, NY 2018 Silk, sun, sand, wind, wood, water, aluminum 44 x 32 x 2 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1579237949844-AA5UUQT2LHYGSEB7QONP/image-asset.jpeg BURYING SERIES - Studio Dec 2019 New Works Line Up https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1500137163795-A24WT2OAB7TI1HT3UR44/Screen+Shot+2017-07-15+at+12.42.50+PM.png BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1603268082665-MF4VJSESDK8H7UUTBU0L/image-asset.jpeg BURYING SERIES - "Seriality", 2020. Silk, sun, sand, wind, wood, water. Dimensions vary. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1603220179789-G6CAKFL58A1UNF98CWN5/image-asset.jpeg BURYING SERIES - James Perkins working at his Fire Island NY studio. portrait by James Needham https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1500136738669-1BTIK2QVNOS7ESIDES3Q/Perkins_James_08.jpg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731467889748-1X38BW557SH0JER0BCZC/image-asset.jpeg BURYING SERIES - Site-specific installation detail for SMoCA https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1500138177671-NLC4YA1NQDQRD8O5K59P/Screen+Shot+2016-08-30+at+5.37.41+PM.png BURYING SERIES - Process https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1603220644094-R7OXB524YPOGPS6KIYTH/image-asset.jpeg BURYING SERIES - James Perkins working in his Fire Island NY studio. Portrait by Bryson Malone https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1500136784777-0KCNQFNX8F0D6XZN5U2M/Perkins_James_06.jpg BURYING SERIES - Process https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1535900624830-9WCL41XWZ0XCV72Y1CQ0/5CEE7348-25CC-4915-9E38-6E29227E0D06.jpeg BURYING SERIES - Burying Painting Series 01, Nonsite: Purple, 2017 Burying Painting: Event Horizon No. 2 Nonsite: Purple Fire Island, NY 2017 Silk, sun, sand, wind, wood, water, aluminum 104 x 33 x 3.75 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1544891656590-9TEFUN9NDJU1HWA1M0J4/IMG_2663.JPG BURYING SERIES - Baby, 2018 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1579238590445-KJMZ0OVOHW5OHTVP0QMJ/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1544891229719-BCDZLCCBWO89VC7WLLY5/IMG_2659.JPG BURYING SERIES - Event Horizon: All Blues, Nonsite Rectangle, 2018 Burying Painting Series 02 Event Horizon: All Blues Nonsite: Navy Blue Rectangle Fire Island, NY 2018 Silk, sun, sand, wind, wood, water, aluminum 44 x 32 x 2 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1511033831173-M9DBGAQ85H4KKYR7OKBF/image-asset.jpeg BURYING SERIES - Putting You Motherfuckers in the Field, 2016, Fire Island, New York (1min) https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1544891576167-6I93MZY7RBKVQ2GBL826/IMG_2661.JPG BURYING SERIES - ATCO Study, 2018 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1579237539560-0SOEBE6KTZYJZQ91R22S/image-asset.jpeg BURYING SERIES - Studio Portrait 2019 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1634852515465-Y9ED1U56W7TOCN5JY7X2/image-asset.jpeg BURYING SERIES - James Perkins working on a sculpture on Fire Island. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1510971099310-V5XV1PHGF6C1Q8HLHKIG/A9316438-E37A-4F05-A6A2-9B9D30830C2E.jpeg BURYING SERIES - Burying Painting Series (detail), 2017 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1528781590902-KXOX1OEYAGEHE64IF5P8/AC14B969-24CD-43B1-BA47-7AC88AEF63B2.jpeg BURYING SERIES - Burying Painting Series, Event Horizon, 2017 Burying Painting Series 01 Event Horizon No. 5 Fire Island, NY 2017 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1579238728048-WGI99AEZJUYI4SKJJAN8/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1535900307491-SMIGHXMVGFEDISDWAO9U/D986E1B2-E5A4-4C13-887D-16017B276738.jpeg BURYING SERIES - The Weight of My Appearance (White), 2016 The Weight of My Appearance (White) 2016 Hand carved carrara marble, linen, aluminum, wood, plastic, 90 degrees 25 x 12 x 105 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1535902001491-AKCKFRIILBWEPUDAQRS3/FDAD7D06-8367-4498-A50C-AEDB385B0838.jpeg BURYING SERIES - Burying Painting Series No. 1, Nonsite Navy Blue Burying Painting Series 01 Event Horizon No. 5 Nonsite: Navy Blue Fire Island, NY 2017 Silk, sun, sand, wind, wood, water, aluminum 104 x 32 x 2 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1511034873546-LFYVYT6IR2L8UH0T96BD/image-asset.jpeg BURYING SERIES - Burying Painting, Fire Island, New York, 2017 | James Perkins Studio https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1500136712724-D7SH3U1O6DD8YS5LF4EL/Perkins_James_05.jpg BURYING SERIES - Process https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1535900744768-6X234NIBHY24I4M25AO5/149CBA66-3931-4AFB-A40C-5756664B6BC0.jpeg BURYING SERIES - The Weight of My Appearance (White & Black), 2016 The Weight of My Appearance (White) 2016 Hand carved carrara marble, linen, aluminum, wood, plastic, 90 degrees 25 x 12 x 105 inches The Weight of My Appearance (Black) 2016 Hand carved carrara marble, linen, aluminum, wood, plastic 32 x 8 x 80 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1535902063852-O16FXJER0VU5OONPF1NE/380C7AEE-DFAB-48C5-9C2B-35FFD83BC8A3.jpeg BURYING SERIES - Interview, 2016-2017 Interview 2016-2017 Hand carved carrara marble, Loro Piana pinstriped wool, aluminum, wood, plastic, 90 degrees 25 x 12 x 105 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1535901743078-PC8RWV1U3P8A6JAQZ8E0/8D3B7E87-92D8-4F26-A39E-AAB179E2B92F.jpeg BURYING SERIES - C Sweet (CEO, CFO, COO) C Sweet (CEO, CFO, COO) 2016 Loro Piana pinstriped wool, aluminum, wood, plastic 55 x 12 x 105 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1544891852393-STMAGQC5SUYU8EZNL0EU/IMG_2668.JPG BURYING SERIES - Event Horizon Study for ATCO, 2018 Untitled Event Horizon Study for ATCO Manhattan, New York Nonsite: Blue 2018 Silk, sun, wind, wood, rain, aluminum 33 x 15 x 3.75 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1579237596666-KJY070164V6YAM0BCQVM/image-asset.jpeg BURYING SERIES - Studio Dec 2019 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1500136764267-6BS3VSMLMOL1I52NKQD1/Perkins_James_09.jpg BURYING SERIES - Process https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1579238486353-A8CIU3XTX6J7V8TUCZ26/image-asset.jpeg BURYING SERIES - All Blues, Fire Island, 2018 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731467428530-7AG368YETM1YKXSAT9ZA/JamesPerkins_In-Situ_007.jpg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1634852692059-YVFIDSHJ97PJANQS1ZAW/image-asset.jpeg BURYING SERIES - See You Out There, 2021, silk, sun, sand, wind, wood, water. Dimensions vary. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1535900530121-MNGBRA0OF88YXY6YHXRU/CD449F9B-0057-46A4-A34C-0D0925F02733.jpeg BURYING SERIES - The Weight of My Appearance (black), 2016 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1535900339890-7CLHFEAY3LW1LT6CF564/84CD35B5-E9F4-47D5-B50D-8AD1AB0BC468.jpeg BURYING SERIES - I Felt Nude No. 2, 2015 I Felt Nude No. 2 2015 Felt, wood, hand carved carrara marble 60 X 70 x 2 inches https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1500137075729-DY2S8DXNIMPVW5R5M6IP/Screen+Shot+2017-07-15+at+12.41.44+PM.png BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1511029811590-M3CJOR2J7437FVTKMEKK/C5C788C8-82E0-40FF-A25F-099D0A360A97.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1523123979226-QVCO0WN815IX1L7YT3N4/6BE000C3-6E7E-44F4-9696-D96058C77C36.jpeg BURYING SERIES - Bury Painting: Event Horizons, 2017 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1511034099034-5OFIX592C9YVAT7WLAJE/Screen+Shot+2017-07-15+at+12.42.36+PM.png BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1500904438022-0PMUKZ7XQ230LYMRDO2O/Figure+1%3A+Event+Horizon+No.+1%2C+2017.jpeg BURYING SERIES - Event Horizon, 2017 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1500138150122-WZQVZS1UCUK90XCGLN4L/Screen+Shot+2016-08-30+at+5.43.55+PM.png BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1490999724726-A76YNYE8PCLGAXEGWJW7/image-asset.jpeg BURYING SERIES - Putting You Motherfuckers in the Field, 2016, Fire Island, New York (1min) https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1500138207217-IFXOIMMD1DRRO811LUNC/Screen+Shot+2016-08-30+at+5.35.51+PM.png BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1511029784421-4SPBAINJOWZ1YSNH23K6/CA769728-1EAA-4DF9-A4CC-193B8CD09C4F.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1510971341082-F0ZRQXICE4TTUMKMTEIC/EA7DF6B5-21FA-41F7-86BC-A04E94783687.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1507512100470-Z1FRF8T2N6C6RQ09HVLI/img_1952.jpg BURYING SERIES - One Percent installation https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1535901688423-IH22MRH1AO04S2WT050D/A2B67AB0-4EC1-4653-BEF0-F39D260FF04A.jpeg BURYING SERIES - Zipless Fuck, 2015 Zipless Fuck 2016 Nude and white felt textile, tulle, seams, wood, aluminum, brass zipper 60 X 70 x 2 in. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1486513115776-TLAF2BR2QMMKCO03HOBU/image-asset.jpeg BURYING SERIES - Putting You Mother Fuckers in the Fields No. 3 (Pinstripe and Pink Silk), Fire Island, 2016 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1500138096976-LCHWE8UX9L1C7QSOS2MY/Screen+Shot+2016-08-30+at+5.32.32+PM.png BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1500137596733-TPOLR4PLMAKFJUSGN4WV/Homage+to+Square+Couple+Still.jpg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1500136688691-MA2EFDTX87D2MY29I1CR/Perkins_James_02.jpg BURYING SERIES - The first installation of silk and pinstriped wool in Fire Island, New York. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1422226758120-68PVRN5C9LOFIAOHUWWN/image-asset.jpeg BURYING SERIES - Small Fish in a Big Pond, 2013 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1422227584342-K1KHIRAEHGZURPKO7AS8/image-asset.jpeg BURYING SERIES - One Day The Market Bled, Room Full of Zebras, & One Percent Speculation, Ace Gallery, Beverly Hills, CA, Oct 2014 - Jan 2015 Solo show. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1628112505139-079QCP3F440AXUBS8MEC/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1489084386734-9EGN8TVLDUSJ4EW558XR/image-asset.jpeg BURYING SERIES - JAMES PERKINS at ACE GALLERY Beverly Hills https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1422228576140-7OQ1ITJOJ9RKEN06490V/image-asset.jpeg BURYING SERIES - Loosing My Shirt, 2014 Speculation, Ace Gallery, Beverly Hills, CA, Oct 2014 - Jan 2015 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1422228019710-3J2N3SJRT6CV190UYEEO/image-asset.jpeg BURYING SERIES - ACE GALLERY Installation Speculation, Ace Gallery, Beverly Hills, CA, Oct 2014 - Jan 2015 Solo show. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1478208693887-R9JZD8L4JKIIDEFU8EHO/image-asset.jpeg BURYING SERIES - APPRECIATION, 2015 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1607382300616-0WPDS1J3JW6NIZXV5J7W/image-asset.png BURYING SERIES - Crazy Money, 2014 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1486512906544-8MK03LT9O3TUTFR2DHCD/perkinsjames02.jpg BURYING SERIES - Ace Gallery, Beverly Hills, 2014 - 2015 Installation https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1472440944878-4V71BPEIV68TO43MLO62/image.jpeg BURYING SERIES - Ball Until You Fall: Cutting My Ties, 2014 To Dress To Fashion Group Show May 20-22, 2016 Julian Calderon - Curator "Perkins uses the very pieces of fabric from renowned fashion designers to create his art. He dresses naked stretchers frames. In some of his work we can faintly perceive the structure behind the material. His work speaks about how we get transformed, labeled but also how we seek freely to transform ourselves through what we wear. He describes how fashion and clothes in a way “make us.” They confine/define us at the same time and are an unavoidable part of being human. In his video sculpture installation we see a naked body acting out all sensuality against the fabric and the restrictions of cultural patterns." https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1422227959083-TFN5ENLCP93QBM427OJN/image-asset.jpeg BURYING SERIES - One Day The Market Bled, Room Full of Zebras, & Watch Me Speculation, Ace Gallery, Beverly Hills, CA, Oct 2014 - Jan 2015 Solo show. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1486512983926-KHLCJVAEH9K0FKUVKTOM/perkinsjames08.JPG BURYING SERIES - Self Projection (Behind Bars), 2016 Super 120s pinstriped wool, light projection https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1608057420103-9TCS7YKHHNY9RH4AKKH1/image-asset.jpeg BURYING SERIES - Pandemic, 2020 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1486512924605-H1X71YCJNLNB5BKAW7PU/perkinsjames03.jpg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1489189715757-K4GYKEOMLLCSGPKW9GA3/image-asset.jpeg BURYING SERIES - BEAUTIFUL CRY II - Laurel, New York, 2012 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1608057526273-8NMXFDKDJ94K8QKS22M0/image-asset.jpeg BURYING SERIES - Urban Post Totem Structure, 2018 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1560532628011-GFJOM5FGTJK024IZY7GF/0_Points+of+Light+installation_James+Perkins_2018.jpg BURYING SERIES - Installation View, Points of Light in a Nocturnal World Installation View, Points of Light in a Nocturnal World Metro Pictures 7 Herkimer, curated by John Newsom. Photograph courtesy of Genevieve Hanson and 7 Herkimer. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1628112389434-6R8W0NWZCNM5EMFEA0NJ/image-asset.jpeg BURYING SERIES - Fire Island Studio https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731468630343-B5TTG80CX4V3S3KGTQR0/image-asset.jpeg BURYING SERIES - Happy to See You (detail) https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1472439479805-RXJFD9FTRDX8QWGA1BIQ/Doctor_or_Lawyer.jpg BURYING SERIES - Doctor or Lawyer, 2015 Eileen S. Kaminsky Family Foundation, AxA at MANA Contemporary, Jersey City, NJ, 2015 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1628095234822-4EAJEKU2L8ILBK6OM1QG/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1628112455624-B3GRA92TRQWFB5X36W1U/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1608057716318-R1LH5S0S1B91S6HBPYR6/image-asset.jpeg BURYING SERIES - Ball Point Pen Painting, 2018 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1607385650841-AVBSOPAW6OPLMB31AJW2/image-asset.jpeg BURYING SERIES - SOHO MEMORIES a short film by JAMES PERKINS | Directors' Cut https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1608057800933-L78U6RWBS850CHM04O2B/image-asset.jpeg BURYING SERIES - My Bordeaux is Better Than Your Budwiser, 2015 Ace Gallery, Beverley Hills https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1634852902406-2NQIGU31LPI8D9MZNXOM/image-asset.jpeg BURYING SERIES - The Perkins Family with one of James recent installations. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1422229079705-61906W5I538C995Z3Y0C/image-asset.jpeg BURYING SERIES - ACE GALLERY Installation Speculation, Ace Gallery, Beverly Hills, CA, Oct 2014 - Jan 2015 Solo show. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1634852596191-CN3PN3L4GCNVXVLUB5BC/image-asset.jpeg BURYING SERIES - James and Judd Perkins on Fire Island working on a post totem structure. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1700593255273-DAOXWAVGL3STWZQXAVXN/image-asset.jpeg BURYING SERIES - Happy to See You (Pink) Silk, sun, sand, salt, wind, wood, water and handmade frame. Image by Daniel Terna https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1700593479435-CZSYD6YL9NIADZKUJC5J/64738_Wills_FishermanSweater_Oatmeal_Lifestyle_017+smaller.jpg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1700593602000-37H40YM88N75YF7BH7VT/Post+Totem+May+12+Poster.jpg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1412897284106-IG4SS0P0G04G1RAX9A6G/Ball+Until+You+Fall+Cutting+My+Ties_Speculation_Works_July_2014_JPS-120.jpg BURYING SERIES - Ball Until You Fall: Cutting My Ties 2013 Super 120's wool, artist own Pucci tie Dimensions Vary   https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1700599771082-N9N5Z4ITEA8C01Y0YEON/DO01020499.JPG BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1490986845575-4Y8F42H5CU8CZEUG6NQQ/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731464821034-VXPWHGY3BUKQ0UZ7W54Q/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731465158008-MNEHX5FGHN3I01T2WKEI/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1490986662710-ABVVY3S690AFI9VOXDJB/image-asset.jpeg BURYING SERIES - Putting You Motherfuckers in the Field, 2016, Fire Island, New York https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731465196175-T07J62L9AJWG54UJ3NIZ/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731465313914-VMM5140P94PXK3CGPIV8/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731466057551-DEFN1FK5XDXQZQOFSUZ2/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1412911450847-YSC72QK5LLZ0LNOFM0V4/Ball+Until+You+Fall+Cutting+My+Ties_Speculation_Works_July_2014_JPS-119.jpg BURYING SERIES 2013 Super 120's wool, artist own Turnbull & Asser tie Dimensions Vary https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731465386939-HA65BFL1Y7BFW25UEIOX/image-asset.jpeg BURYING SERIES - James Perkins at Frieze LA 2024 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731465925854-5WFT02XHBJOGNN6T48GI/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731465968565-8MEJXBK3E7LOP95QV6G2/image-asset.jpeg BURYING SERIES https://static1.squarespace.com/static/5436d757e4b02d632f59a1ed/5436db24e4b0e78dea8ff413/58ded9ac2109d324c9966d5b/1731467223573/ BURYING SERIES - Putting You Motherfuckers in the Field, 2016, Fire Island, New York (1min) https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1603267932761-FMN6HIK4ZZNTSZC96FCF/image-asset.jpeg BURYING SERIES - James Perkins in Fire Island, NY https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1511032898241-I12M2LQKR4YKKUJV9ZNN/913BCCCF-C581-44F8-A3AC-E47CC4118097.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731465237049-9LP5ORNVWWBCPZ20Y7U2/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731468002969-NXG95VBXAPIU18SGUDIT/image-asset.jpeg BURYING SERIES - Site-specific post-totem land art installation for SMoCA residency in Scottsdale, AZ https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731468186015-8YX5HH334DDKUOGM64WP/image-asset.jpeg BURYING SERIES - Performance: Site-specific post-totem land art installation for SMoCA residency in Scottsdale, AZ https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731468830994-6POGM5U4F1QWLVQV2GMY/image-asset.jpeg BURYING SERIES https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1732689334185-JIFPKHLXBWV3GLVHOYFK/image-asset.jpeg BURYING SERIES James Perkins collaborated with ocean racer Conrad Colman to make art. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1762012187199-AASCF2EJQQJ1LZYI1ANQ/image-asset.jpeg BURYING SERIES - James Perkins at Scottsdale Museum of Contemporary Art https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1762012291460-2F7G5ZLX0DLLCBU2VSV6/image-asset.jpeg BURYING SERIES http://www.jamesperkinsstudio.com/films-1 daily 0.75 2025-11-01 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1701372248935-TUNLCC49FQ5B4D9QKRXW/image-asset.jpeg FILMS - James Perkins Land & Earth Artist Artist James Perkins creates “post-totem” artworks that are both sculpture and painting, deftly referencing the history of land art and American minimalism. It takes up to two years to complete a single work, which are subject both to Perkins’ careful manipulations and the forces of nature. Rather than presenting raw earth as the art object, Perkins transforms nature into an art object in situ at his home and studio on Fire Island in New York. He refers to his works as “post-totem” structures, paintings and sculptures that conjure the ancestral spirit of his great grandmother’s Chickasaw tradition, and go further to reference totemic symbols of power—the coded behaviors we adopt to navigate systems of identity, society, and capital in the United States. Through his practice, he situates himself in a unique methodology for art making that merges the philosophies of Land Artists like Michael Heizer, Robert Irwin, and James Turrell, with the sensibilities of minimalist painters like Ad Reinhardt, Agnes Martin, and Mark Rothko. Though these artists allowed Perkins to comprehend the limitlessness of material and form, his work depicts a contemporary politic beyond these movements, which centered white men at the epoch of American industrialization. Instead he activates this history to contemplate how abstraction can invoke a society that is postmodern, postrace, and postgender, using land to invite a harmonic, inclusive vision of the future. (Brusha Director Cut) https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1701372248935-TUNLCC49FQ5B4D9QKRXW/image-asset.jpeg FILMS - James Perkins Land & Earth Artist Artist James Perkins creates “post-totem” artworks that are both sculpture and painting, deftly referencing the history of land art and American minimalism. It takes up to two years to complete a single work, which are subject both to Perkins’ careful manipulations and the forces of nature. Rather than presenting raw earth as the art object, Perkins transforms nature into an art object in situ at his home and studio on Fire Island in New York. He refers to his works as “post-totem” structures, paintings and sculptures that conjure the ancestral spirit of his great grandmother’s Chickasaw tradition, and go further to reference totemic symbols of power—the coded behaviors we adopt to navigate systems of identity, society, and capital in the United States. Through his practice, he situates himself in a unique methodology for art making that merges the philosophies of Land Artists like Michael Heizer, Robert Irwin, and James Turrell, with the sensibilities of minimalist painters like Ad Reinhardt, Agnes Martin, and Mark Rothko. Though these artists allowed Perkins to comprehend the limitlessness of material and form, his work depicts a contemporary politic beyond these movements, which centered white men at the epoch of American industrialization. Instead he activates this history to contemplate how abstraction can invoke a society that is postmodern, postrace, and postgender, using land to invite a harmonic, inclusive vision of the future. (Brusha Director Cut) https://static1.squarespace.com/static/5436d757e4b02d632f59a1ed/5a6251dd652deac32a9b35a4/5a62539a005559837a4cc7d8/1516393370398/ FILMS https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731430424077-AA6L0A6EI4GVU8LOODLB/image-asset.jpeg FILMS - A walking tour of JAMES PERKINS' SMoCa Residency: The Straw That Didn't Break The Camel's Back, 2024 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731430302014-KMB86DBFN05EDDV6VK96/image-asset.jpeg FILMS - James Perkins and Lauren R O'Connell in conversation for Scottsdale Museum of Contemporary Art https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731430774032-6RETLN6ZDIYHE2C2HZ1I/image-asset.jpeg FILMS - James Perkins Event Horizon No 1 Sculpture Installation https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1516393370874-N3FD2WT6TR3ZP9CQEJYT/image-asset.jpeg FILMS - Burying Painting, Fire Island, New York, 2017 | James Perkins Studio https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1516393409329-S0CHMK6DQHANAM5QZXG7/image-asset.jpeg FILMS - Putting You Motherfuckers in the Field, 2016, Fire Island, New York (1min) https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1516393497356-896JHZ4ZYPDKLRZQYL7G/image-asset.jpeg FILMS - JAMES PERKINS at ACE GALLERY Beverly Hills https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1516393560261-CXD2ORV9A3RRQ7VBGZCK/image-asset.jpeg FILMS - Homage to Square Couple Fire Island Great Bay, 2016 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1516397322815-JGQA2ID42F9N54I16JBQ/image-asset.jpeg FILMS - Quick View | Solo Show | "Speculation at" Ace Gallery Los Angeles | 2014 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1595006281952-75ZJ9QENH7E8LY66R5D9/image-asset.jpeg FILMS - BEAUTIFUL CRY: Katharina https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1595006410572-YV866PW1K4B489AI8SAX/image-asset.jpeg FILMS - Beautiful Cry: Shanti https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1595006454895-AZAKMN82KJT9GQGRLRSX/image-asset.jpeg FILMS - BEAUTIFUL CRY: Caitlin https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1516393456472-PKFM9MHOWP4BKOPN4P8S/image-asset.jpeg FILMS - Putting You Mother Fuckers in the Fields No. 3 (Pinstripe and Pink Silk), Fire Island, 2016 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1595006728586-XQZ3UY3XFWSFLRBWHHLV/image-asset.jpeg FILMS - JAMES PERKINS at ACE GALLERY Beverly Hills https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1711570546852-P3UXA6K0OOB76IQ6KVZ5/image-asset.jpeg FILMS - James Perkins for Stetson Shot on location in his studio in Long Island City, Queens, artist James Perkins wears the Open Road Royal Deluxe in Natural. Celebrated artist @jamesperkinsstudio uses the sand, sun, surf and salt of Fire Island, a beach community about 60 miles east of New York City, as his paintbrush to create his signature sculptures. Crafted from two-by-fours wrapped in colored silk, his artworks are left to age for up to years, half-submerged in the sand and exposed to sun, salt, wind and freezing rain—making their mark on the landscape as they weather the storm, slowly becoming monuments of nature’s power. “It’s my version of trying to find a totem for all mankind,” he says. “Standing on the shore, I’m reminded of how small I am. We realize how much of the planet we have to share when we’re at the beach.” His passion for land art and beach life is balanced with an equal zeal for the pace of New York City and the energy of the international art scene—and dressing up for the occasion. “I’m interested in getting in the dirt, I’m interested in being at the beach and being outside and being challenged physically as much as I am mentally,” he says, “But for style, it’s important to me to be a gentleman. I get dressed up as a sign of respect to my fellow human, but more importantly as a sign of respect to myself and to the day. The Open Road is a great hat for me because a lot of my personal work is this juxtaposition between being in the city and being out in nature.” #OpenRoadCharacterDriven #ItsAStetson https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1707852834376-K5431XBPTAE5L6DBW3L6/image-asset.jpeg FILMS - Land Artist James Perkins Artist James Perkins creates “post-totem” artworks that are both sculpture and painting, deftly referencing the history of land art and American minimalism. It takes up to two years to complete a single work, which are subject both to Perkins’ careful manipulations and the forces of nature. Rather than presenting raw earth as the art object, Perkins transforms nature into an art object in situ at his home and studio on Fire Island in New York. He refers to his works as “post-totem” structures, paintings and sculptures that conjure the ancestral spirit of his great grandmother’s Chickasaw tradition, and go further to reference totemic symbols of power—the coded behaviors we adopt to navigate systems of identity, society, and capital in the United States. Through his practice, he situates himself in a unique methodology for art making that merges the philosophies of Land Artists like Michael Heizer, Robert Irwin, and James Turrell, with the sensibilities of minimalist painters like Ad Reinhardt, Agnes Martin, and Mark Rothko. Though these artists allowed Perkins to comprehend the limitlessness of material and form, his work depicts a contemporary politic beyond these movements, which centered white men at the epoch of American industrialization. Instead he activates this history to contemplate how abstraction can invoke a society that is postmodern, postrace, and postgender, using land to invite a harmonic, inclusive vision of the future. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731430643494-VWTRYWSSA3Q5CM2REBM2/image-asset.jpeg FILMS - Faust Wines Post Totem Installation Performance Triangles https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731430603158-7ZV13EX2ALOCAHZ5102T/image-asset.jpeg FILMS - James Perkins for Faust Wines Post Totem Installation Performance P.5 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731430708598-F7W63GZ2D9G2BDLD1X5I/image-asset.jpeg FILMS - James Perkins for Faust Wines Post Totem Installation P1 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731430842515-JHQPE2S0DR9T7IG47CPD/image-asset.jpeg FILMS - James Perkins for for Faust Wines Post Totem Installation Performance P.4 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731466314717-N3CYL1VZITQ3NMWBF8QB/image-asset.jpeg FILMS - Burying Painting: Event Horizon Post Totem Structure No. 2, Fire Island, New York, 2017 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1731466593398-CBKSM7H3SCOQYMGMC732/image-asset.jpeg FILMS - Burying Painting: Event Horizon, 2016, Fire Island, New York (1min) https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1595006562412-06FC62OFEI3KHO87KU3J/image-asset.jpeg FILMS - APPRECIATION, 2015 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1762008925130-SZOFIJKESTUBJYPAKAGX/image-asset.jpeg FILMS - SOHO MEMORIES a short film by JAMES PERKINS | Directors' Cut https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1595004876611-PDD0YHAENAWOKJQ98QB2/image-asset.jpeg FILMS - BEAUTIFUL CRY - Laurel, New York, 2012 http://www.jamesperkinsstudio.com/bio daily 0.75 2025-10-07 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/0ab4aed6-f5f9-4c1c-ab6d-bfe5b66274d4/L2400302.jpg BIO http://www.jamesperkinsstudio.com/contact daily 0.75 2025-10-07 http://www.jamesperkinsstudio.com/more daily 0.75 2026-02-09 https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1770310580356-7TXOI09J5GW7L6CNATSY/FS_W25_INFOCUS_Page_1.jpg MORE https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1770310590715-3B0O5D6X0JSXPAPB5BB3/FS_W25_Cover_Page_1.jpg MORE https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/0b6826d2-301c-4a61-9c7c-24115b926a59/James+Perkins+Burying+Painting_Gabby+Usinger_07.jpg MORE - Make it stand out Scottsdale Museum of Contemporary Art SMoCA presents process-based land art by James Perkins in his first museum exhibition, highlighting the artist’s approach to nature as a collaborator. The hard-edge, minimalist sculptures made of silk, wood, and stone are created through durational exposure to nature’s powerful forces and elements, such as hurricane winds, ocean water, rain, sea salt, soil, sun, and even wildlife. The exhibition title, Burying Painting, refers to Perkins’s study and exploration of the history of action painting, sculpture, and land art. The title also alludes to his singular technique of burying textile-wrapped structures and leaving them semi-exposed in the landscape for months or years, using the landscape as his painting palette. Once the outdoor duration is finished, the works are “harvested” from the land. The transfigured materials are relieved and re-stretched onto frames, creating painting-like works with shifting color fields and varied textures capturing nature’s agency, power, and beauty. Perkins’s artistic philosophy positions his sculptures as “post-totem structures,” referencing symbolic objects that express individual and collective identity. Throughout history, totems have evolved from ancestral signifiers to symbols of positionality. Rather than diminishing the value of totems, Perkins’s philosophy challenges human-nature relationships by symbolically neutralizing systems that disconnect us from the natural world and each other. The exhibition features floor and wall sculptural works that have been created in various locations and shaped by their environments, including the beaches of Fire Island and the Sonoran Desert. The exhibition will also highlight the artist’s site-specific and performative process through short films and documentary photography https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/b1661bb0-963c-40c3-abe6-607f1f78e77f/IMG_6BABD8F6917B-1.jpeg MORE - Make it stand out James Perkins attends Saint Laurent Men’s Summer 26 Show in Paris This season’s show was inspired by Fire Island, New York something dear to the artist. Photo: Brandon Langiano https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/950a69dc-7edf-4cbd-9271-9f1119338502/IMG_25204ACB34E3-1.jpeg MORE - Make it stand out Ahead of his solo show at Scottsdale Museum of Contemporary Art (SMOCA) in the fall of 2025, Perkins visited the Cattle Track Arts Compound & Ranch to install a site-specific post-totem structure installation arranged by curator of the show Lauren R O’Connell. During his one-week residency Perkins installed his sculptures amongst the Sonoran Desert’s blazing sun, dry winds, rough brush, and curious coyotes. After surviving seven months in the desert, Perkins will harvest the sculptures and finish the works as paintings/ non sites and present these works in his Fall 2025 solo show at the museum. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/f41aed9c-4f8b-42dc-9c94-831949f894bc/240306-STETSON-LOOK_04-119_r+copy.jpeg MORE - Make it stand out James Perkins for Stetson Celebrated artist @jamesperkinsstudio uses the sand, sun, surf and salt of Fire Island, a beach community about 60 miles east of New York City, as his paintbrush to create his signature sculptures. Crafted from two-by-fours wrapped in colored silk, his artworks are left to age for up to years, half-submerged in the sand and exposed to sun, salt, wind and freezing rain—making their mark on the landscape as they weather the storm, slowly becoming monuments of nature’s power. “It’s my version of trying to find a totem for all mankind,” he says. “Standing on the shore, I’m reminded of how small I am. We realize how much of the planet we have to share when we’re at the beach.” His passion for land art and beach life is balanced with an equal zeal for the pace of New York City and the energy of the international art scene—and dressing up for the occasion. “I’m interested in getting in the dirt, I’m interested in being at the beach and being outside and being challenged physically as much as I am mentally,” he says, “But for style, it’s important to me to be a gentleman. I get dressed up as a sign of respect to my fellow human, but more importantly as a sign of respect to myself and to the day. The Open Road is a great hat for me because a lot of my personal work is this juxtaposition between being in the city and being out in nature.” #OpenRoadCharacterDriven #ItsAStetson https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1e9d2706-4dde-456f-9ed4-d04b003ba6df/james-perkins.jpg MORE - Make it stand out The 10 Best Booths at Frieze Los Angeles 2024 Artsy Located at the corner at one of the fair’s busiest intersections in the Focus section, James Perkins’s solo exhibition with New York gallery Hannah Traore Gallery is a rejuvenating stop for guests. Here, the artist presents 14 wall and floor sculptures made from several types of wood and stone, drawing inspiration from the works of land artists like Michael Heizer and Robert Irwin. Perkins developed his distinctive technique by wrapping silk around two-by-four wood planks and burying them in the sand for up to two years, allowing nature to act as his paintbrush. The intricate patterns and textures viewers see on the silk are entirely the work of natural elements, not crafted by hand. “What I think is so amazing about James is he really is continuing the tradition of land art, but he’s adding his own flair,” founder Hannah Traore told Artsy. “Land art has a little bit of a problematic history, and it’s really interesting to have a Black man inserting himself, but also really adding to the conversation and adding a whole new perspective—a whole new process.” Perkins intends this body of work to act as a unifying entry point for people to engage with each other and the environment. These works, such as the triangular A Forest of Love (2021), covered with bright green silk, mean to offer a symbol of the most unifying force: the Earth. - Maxwell Rabb https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/e8a8b9f9-3f17-42ef-8f6c-c2b0bc0047f2/JP+explaining+frieze+booth.jpg MORE - Make it stand out The Best Booths at Frieze Los Angeles 2024 ARTnews James Perkins’s stunning wall-hung works, included in the fair’s Focus section, are each made from a dyed piece of silk fabric that is wrapped around a 2-by-4. Perkins then buries the works on the beach of Fire Island, just outside New York, for up to two years. During that time, the minerals from the sand and the salt from the waves that lap onto the shore transform the fabric into ethereal gradients; they now act as permanent records of the elements. Accompanying this installation are several floor pieces: three-dimensional right triangles, made in either wood or stone. That series is titled “Grounded in Love,” an acknowledgement of Perkins’s belief in all that coexistence with nature can provide. - Maximilíano Durón https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/92259399-9bf6-4ce5-be69-0eeacb03be2e/Post+Totem+May+12+Poster.jpg MORE - Make it stand out Laura Hyatt’s Top 5 Picks from Frieze Los Angeles Viewing Room 2024 Frieze “‘Sun, sand, salt, wind, wood, water.’ I love how these works hold the residue of a place, and I think they succeed. They are like anti- ‘land art’ land art. I love anything that intervenes in land art’s problematic histories. These capture the elements of a place, a moment, with such poetic softness, an intimacy that contrasts the masculine monumentality and extractive properties of traditional land art.” https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/3b4b4cd4-e138-4e4f-a7ff-01a0b1397f5a/jamesperkins_in-situ_013.JPG MORE - Make it stand out Galleries You Don't Want to Miss at Frieze LA 2024 HYPEBEAST Hannah Traore is exhibiting recent paintings and sculptures by renowned NY-based artist James Perkins. Continuing from his initial solo display titled Burying Painting at Hannah Traore Gallery in 2022, Perkins introduces a contemporary dialogue surrounding the concept of the nonsite—a term originally coined by Robert Smithson in 1968 to denote an indoor earthwork or a natural site imbued with symbolic meaning when removed from its original context. Instead of presenting untouched earth as the focal point, Perkins reimagines nature as an artistic entity within his living and working space on Fire Island, New York. He describes his creations as “post-totem” forms, encompassing paintings and sculptures that evoke the ancestral essence of his great grandmother’s Chickasaw heritage while also alluding to totemic symbols of authority—those ingrained patterns of behavior we adopt to navigate various aspects of American identity, society, and economics. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/a521e213-d1fa-4c97-b18a-399d66409d45/ArtDesk100+COVER.JPG MORE - Make it stand out James Perkins Selected to the ArtDest 100 ArtDesk ispleased to announce the ArtDesk 100. These early to mid-career voices in contemporary art, performance, theater, animal wellbeing, and social innovation are recognized for pushing new frontiers in creative work. In honor of ArtDesk’s tenth anniversary in 2023, we have chosen our favorite creators, thinkers, and voices leading new frontiers in art, performance, and thought. These creative discoverers are all early- to mid-career at 45 years old and younger. Each is exciting to watch and learn from, and every one has the demonstrated bona fides to merit inclusion on the inaugural ArtDesk 100. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1608305004457-RXSTPHI6I0JDQO64ZCXQ/0+Perkins+Fire+Island+Residence+From+Juniper.jpg MORE Domino magazine Check out The Perkins’ Fire Island home and studio in Domino magazine this Winter. On newsstands December 22nd, they talk about some of the work they’ve done to restore the property, renovation updates and how they continue the spirit of sustainability implemented by the architect Horace Gifford. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/b1fa33ce-d6d7-4607-8f41-cdb945532feb/BFA_42643_6002506.jpg MORE - Make it stand out Thom Browne Artist Talk event with James Perkins Cocktails and a conversations between James Perkins and curator Lauren R. O'Connell from Scottsdale Museum of Contemporary Art. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/a19a6b9e-2647-46ed-a2a2-456eacfccd53/BFA_42643_6002576.jpg MORE - Make it stand out James Perkins and curator Lauren R. O'Connell from Scottsdale Museum of Contemporary Art at the Thom Browne Artist Talk event. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1602391441092-9B81EM1EV57WBXU1DEIL/64738_Wills_FishermanSweater_Oatmeal_Lifestyle_017.jpg MORE - Make it stand out Wallpaper Magazine Artist James Perkins: ‘land art was ripe for me to make a contribution’ Fire Island-based artist James Perkins transforms silk sculptures into forces of nature. Here, he discusses the future of land art, belonging, and living in a Horace Gifford-designed modern masterwork At a time when things feel so unstable, artist James Perkins’ silk totemic sculptures ground us to the earth and celebrate the beauty of time and space. In a meditative process that can take up to two years, Perkins uses nature as his paintbrush. He allows the sea salt, ocean spray, sun, rain, and hurricane-force winds to weather his silk sculptures – even burying some in the sand – unveiling dynamic, layered, and utterly transformed totems. Following in the footsteps of the great land artists, like Michael Heizer, James Turrell, and Walter De Maria, Perkins’ silk totems possess power far beyond their individual components. Despite deceptive simplicity, land artists create complex, soul-searching natural art to ask viewers to contemplate what they see and who they are. Perkins’ work stands apart from the greats as his time-based land art installations, which he calls post-totem structures, question the lines between sculpture and painting, monumental land art and temporary works, and human intervention and nature. By Michelle S Coleman read here https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/0dd61d9b-7b67-4565-91b0-b82618f6dd27/DSC_2461.jpg MORE - Make it stand out Artsy James Perkins Buries Silk Canvases at the Beach to Make Vivid Abstractions Across his work, Perkins resurrects the genre of 20th-century action painting, making time-based labor central to the process of creation. For his latest body of work—on view in his solo show “Burying Painting” at Hannah Traore Gallery through July 30th—the New York–based artist created his structures on Fire Island, New York. Left there for varying periods of time, the structures intermingled with the wind, water, snow, sand, and animals to reveal their final form. By Ayanna Dozier https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1620716385429-AOKIUAWV3A4WY8HHY6CK/L1008695.jpg MORE - Make it stand out Review: James Perkins' Black minimalism and Chris Fallon's time-skipping depictions of women's forms stand out at "Janus II." “Meeting viewers as soon as they ascend the stairs into the gallery, Perkins’ “The Weight of My Appearance (Black),” (2016) is the most subtle, yet poignant piece in the exhibition. Two marble blocks—like feet—support a vertical black rectangle, which based upon the work’s title, mirrors the artist’s body. In addition to creating a figurative reference, Perkins cunningly inverts minimalism’s dependence upon viewers, which typically employs simple forms as foils to activate onlookers’ presence in the shapes’ reflective surfaces, rigid geometry, and seriality. However, Perkins’ matte black fabric denies non-Black viewers the satisfaction of seeing ourselves reflected, as if to say, “it’s not about you” and “your gaze does not activate me.” Moreover, for Black viewers, the work holds space within the historically rather white art world that may mirror their own presence. While the work formally explores Blackness as abstract color, it actually engages in a much larger and more complicated discussion about race in an art historical context and currently in the art world and society at large.” By Genevieve Quick https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/50bb22ff-5658-451a-aab3-14f3484cfd5c/jamesperkins0704.jpg MORE - Make it stand out LUXE Interiors + Design En Plein Air ON THE SHORES OF FIRE ISLAND, NEW YORK, AN ARTIST CRAFTS TEXTILE MONUMENTS TO THE UNBRIDLED WILD. Stand still long enough on Fire Island’s churning beaches, and you will witness a procession of nature’s mercurial wonders: the electric neons of sunsets, the blue-grays of pending storms, the fathoms-deep darkness of midnight. James Perkins has seen them all, distilling these moments of awe into three-dimensional paintings that undulate with currents of color and form. The artist’s slices of sea and sky, however, are not made with paint, but by exposing textiles to wind, water, heat and cold. “My goal is to infuse the material with this sensation of standing at the shoreline’s edge and feeling like the smallest thing on the planet,” he explains. Perkins’ work evolved from his explorations of the Light and Space and Land art movements, both of which conceptualize earthly landscapes. Fire Island, where he splits the year with his wife and son, became a natural muse, with its sunken pine forests, windswept coastline and radiant eastern sunrises. Written by Monique Mcintish Photography by Bryan Derballa https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/f26e5c08-2c45-4c75-a9f5-d9c8946c574d/OK_250728_AD_behrens-felipe_5019%C2%A9CharlotteSchreiber.jpg.webp MORE - Make it stand out Marie von Behrens-Felipe and Roberto A. Felipe’s house they restored in the Hamburg in Architectural Digest. A home filled with classic design pieces: Hans J. Wegner’s Flag Halyard lounger from 1950 stands in front of the living room fireplace, a painting by James Perkins hangs above the Living Divani sofa. The coffee table is by Charlotte Perriand, the small bookshelf is by Pierre Jeanneret, https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/0586a1dc-14a3-4a6f-9620-9c65121d7a35/James+and+Hara+Perkins+at+KEring+Foundation+CAring+for+Women+getty+images.jpg MORE - Make it stand out Kering Foundation and Balenciaga for Caring for Women James Perkins attends the Kering Foundation Second Annual Caring For Women Dinner at The Pool on September 12, 2023 in New York City with Balenciaga. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1634851696319-4DX2ZI6RVP109S92HC2K/IMG_0212.jpg MORE - Make it stand out HUCKBERRY Building a Family Philosophy Around Slow Design Artist James Perkins on the beauty of well-aged things, romance, and passing ideas down to the next generation. James is the perfect person to talk to about patina; not only does he have a highly refined sense of style, but his work as an artist is all about the passing of time. He often creates pieces of sculpture that he then exposes to the elements on Fire Island, exploring questions of transience and beauty. So during a recent shoot for Wills, we decided to go deep. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/2c274410-53f2-4455-b650-7a03e864d4dd/image00044.jpeg MORE - Make it stand out An Artist and Sailor Teamed Up to Transform a Raceboat Into a Floating Work of Art Robb Report James Perkins' beautiful silk panels were in tatters by the time Conrad Colman's "Imagine" sailed into Guadeloupe from France. But that was the point. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1595609013013-OLNSWMI2HM6WOLTEME18/L1009104.jpg MORE Artsy Works available on Artsy from the Burying Painting: Event Horizons series. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1634852858890-ORE6U4PUEO5OS7FCE19P/IMG_0225.jpg MORE - Make it stand out Office Magazine James Perkins and All The Elements Upon the sand are the forces of nature to remind us to never get too caught up in all of this technological chaos. Forests, and beaches are where beauty resorts so effortlessly, we can all sit for hours, mesmerized by its inability to be anything less than perfect. Text by JoliAmour DuBose-Morris https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/3b2361dc-d0e2-4dc7-ab24-b62c15e83e4f/4fa11a25035160b339f3c011f5461b3f.jpeg MORE - Make it stand out James Perkins Attends Balenciaga New York Runway show at NYSE James Perkins attends the Balenciaga runway show where the fashion house took over the New York Stock Exchange For a Star-Studded Show https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1634852429625-JNCRQCDJMOPCO6DIG40I/IMG_0235+2.jpg MORE White Columns James Perkins is a sculpturist and painter originally from the South. Currently based in NYC and Fire Island, the Yale graduate who studied Chemistry came to his practice by way of wanting to create work that makes people feel good and optimistic about the future. He uses the outdoors to inform and react to his works, leaving many of his paintings outside with the elements to create the cohesion with nature that humans often seek. Initiated in 2016 on the beach in Fire Island, NY, the “Burying Painting” series employs a system in nature to explore the experience of weathering the vicissitudes of life and the existential questions that we all face. The work consists of time-based land art installations. Using wood and silk, the objects start outdoors in the language of sculpture and come indoors as paintings with marks made in collaboration with nature. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/085b33ad-5b26-4f09-bd7d-0fd028b5ab07/Judd+West+Elm.jpg MORE - Make it stand out WEST ELM Inside the Fire Island home where artist James Perkins and his family escape the city https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/aa962a9f-1bec-494d-a13e-60e81f6c40ee/Screen+Shot+2023-01-18+at+4.05.50+PM.png MORE - Make it stand out Lulu and Georgia Collaboration Artist James Perkins’ work spans land art installations, sculpture, painting, photography, and film. In his collection of wallpaper and textiles, James takes inspiration from the Earth’s color palette. The launch will include wallpapers, silk pillows, and cashmere throws. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1628088655684-COYC4D50ADOQ0LK3JMTW/L1030570.JPG MORE - Make it stand out INHABITAT He was inspired by nature for his new “post-totem” land art Written by Dawn Hammon https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1605630738625-YEL1N0SVLYU65DBDYQ6X/Sleepy_Jones_James_Perkins_Christopher_Starbody_R0000471+low+res+for+email.jpg MORE Sleepy Jones Check out @sleepyjones IG stories for a fun studio visit with James at his Fire Island studio shot by @christopherstarbody https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1603428984189-5XWFV96O5L9TV4XM0TIX/james_round_2_58.jpg MORE Vela Creative Artist Profile As an alumnus of both Yale and the School of Visual Arts, James Perkins is a proud New Yorker who seeks inspiration in the contrast between the manmade city he calls home and the sweeping and unpredictable paths of the natural world just beyond. He counts the ocean and sunsets as his muses and the uninhibited elements of the outdoors are his materials; thus, through paint and sculpture, he experiments in entirely unique ways to tell the story of our planet’s history with stunning visual splendor. While many artists create only within the confines of their studios, Perkins finds that constraining, preferring instead to create using elements of nature. He defies the expected by using techniques like burying paintings in the sand to see what surprising patterns or color infusions await once they emerge. Perkins’s work elicits the slow and steady pulse of life that lies beneath our surface-level hustle and bustle. While the world struggles en masse to disconnect from devices and the general hectic feelings of day-to-day life, his art seeks to find moments of peace and to remind viewers that simplicity and reflection are essential to achieving a life filled with true contentment. Though he undoubtedly has the soul of an artist, an academic foundation of chemistry and experience in the business world lend his work a touch of logic and simplicity, too. The results mimic the beautiful stillness you can expect from a perfectly-formed mathematics solution: thrilling and boundary-pushing, yet simultaneously logical and scientific as straight and calculated lines collide with a shifting color palette and the grit of sand particles still clinging to the canvas. As fans of James Perkins, he has been on our list of artists to feature for quite some time now, and we are thrilled to feature his work. Like James Perkins, we believe in a shared humanity, and his devotion to leading a life that uses the “ugliness in the word as motivation to seek beauty” is an inspiring ethos that deeply resonates with our hope for the future. By Megan Johansson https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1603268356737-PW9FKRZN90LNXBK89TUX/64738_Wills_FishermanSweater_Oatmeal_Lifestyle_003.jpg MORE James Perkins for Huckberry We worked with artist James Perkins during a recent photo shoot for Wills, spending hours at his home and studio on Fire Island. James is among the most stylish men we’ve ever worked with, displaying impeccable taste in clothes, architecture, watches, and much more. So we decided to ask James how he did it. The conversation took us from growing up in Arkansas in the 80’s, to his undergraduate career at Yale where he was a chemistry major, to his time on Wall Street working in finance and starting a hedge fund, and finally to his current life as an artist. Our photographer called this one of his favorite assignments ever, simply because James had so much wisdom to pass on. It was difficult to edit him down, but read on for some style inspiration from a master of the craft. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1591553919311-3GHLQPUT5XKLEJI0ADZU/DSC_7197.jpg MORE Tappan Collective The ocean is something I have spent a lot of time thinking about. I was a Chemistry major as an undergraduate and I think about things in terms of materials and elements. Our ocean is this immense resource and has this incredible presence and power. It conveys your smallness in a way I have only ever experienced in the mountains. It gives you the sense of standing at the edge of the world as we know it. I am fascinated by that feeling and I find it unifying. I am also inspired by our shared experience to paint our identity, and how we all navigate the history of totems to do so. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/7cf094ef-5e15-4e2d-a285-a3f74d5324ba/DSC_7543.jpg MORE - Make it stand out smARTpills 3 FUN FACTS: My first jobs out of college were at Investment Banks. I had just graduated from Yale as a chemistry major and was performing Breast Cancer research. Next, I did equity research on retail and industrial stocks. My best friend recently said, “ You’re still doing research reports, they’re just paintings now.” https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1595608698076-V82LDCRZ9T04IGR9FQZV/DSC_7237.jpg MORE HODINKEE In his solo exhibition with famed Ace Gallery, artist James Perkins eloquently confronted money and its societal impact as an universal and unifying human experience of perception. Using materials from his time spent on Wall Street, many of the artworks are facially accessible to viewers; however, this is devised to draw the viewer into a more intimate exchange that challenges their own value judgments as the artist was forced to do in the making of the works. This is perhaps most exemplified in “One Percent”, an artwork comprised of 99 counterfeit watches, and one genuine Rolex Submariner anonymously interspersed within the milieu. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1607013119105-00X5LTO4V20F9XGMY1P3/James_Perkins_Speculation_Ace_Gallery_2014_15_md_52.jpg MORE NYU IFA James Perkins explicitly plays with our perception of universal truths and values, as perceived through conceptual signifiers. In One Percent, Perkins places a single Submariner Rolex watch within a pile of 99 counterfeit Submariner Rolex watches purchased on the black market. Poignant and optimistic, this installation explores our sense of discovery and fascination with the idea of luxury, symbols of success, and signs of difference. Perkins dazzles us with the sheer numbers of the timepieces, and the near impossibility of finding the real within the pile of imitations. The physical characteristics of luxury like shiny rare metals, exquisite workmanship, and thick polished glass, compete with the recognizable form of the watches. Real luxurious watches and cheap fake copies blend as their sheer numbers overwhelm viewers. All are working timepieces. Only one is the truth the viewer seeks. Perkins plays with our understanding of value, of reality, and of time, challenging our ability to decipher the real from fake, and the valuable from the dispensable. As the viewer tries to identify the one real Rolex watch in a pile of fakes, times escapes. Time well spent searching for the truth? Or time wasted attempting to decide whether real and fake can be separated and understood at a glance? James Perkins studied at Yale University before going to Wall Street, later completing his Masters at the School of Visual Arts. Curated by Lisa Banner https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1634852388496-ZU1Y1QH4VDVQYFA24LKZ/CB2AFF6A-F92C-4AE8-8459-4BDC7D58CCBE.JPG MORE - Make it stand out Faust Wines #InTheHaus playlist series for the Faust Haus in Napa Valley. His playlist is an exploration of genres, featuring the likes of Luciano Pavarotti and Miles Davis, to Solange and Kanye West. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1595609706718-TTFANGKQPZGN11VMH8DM/james_round_2_63.jpg MORE BFROW In Conversation I learned modes and models for thinking from Donald Judd, Richard Serra, John Cage, Miles Davis, Robert Irwin, and Michael Heizer. Artists have replicated the strategies of painting or bronze sculpture so much that I think I am attracted to these newer modes that are less studied and more difficult to execute. You don’t just get a painting at the end of a month or two. It's almost a complete commitment to your life being the work, with a few objects and remnants left along the way. https://images.squarespace-cdn.com/content/v1/5436d757e4b02d632f59a1ed/1620717965599-NJ3KII99QTWO76OE6U06/james_round_2_24.jpg MORE Intersect Aspen Cult Aimee Friberg Exhibitions is Thrilled to Present James Perkins’ ‘Totemic Abstractions’ Made on the beach in Fire Island, NY, the time-based land art installations composed of wood and silk employ a system in nature to explore the beauty and experience of weathering the vicissitudes of life. The “post-totem structures” start outdoors in the language of sculpture and culminate as “nonsite” wall reliefs with marks made in collaboration with nature. The results blur the lines of sculpture and painting, figuration and minimalism, monumental land art and temporary works, masculine and feminine, human intervention and nature. The works initially appear as painted steel, solid wood, or even fiberglass, but upon closer inspection, one sees they are much more delicate. 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