James Perkins (b. 1978) is an American sculptor who creates a contemporary discourse for the nonsite—a term originated by Robert Smithson in 1968. Perkins collaborates with nature to make a mark, rather than presenting raw earth as an art object. His “post-totem structures”, silk canvases stretched on wooden frames, are buried in the earth for up to two years and are shaped and painted by the bleaching sun, salt spray, sand, soil, and hurricane force winds. His unique practice merges the philosophies of Land Artists like Michael Heizer, Robert Irwin, and James Turrell, with the sensibilities of minimalist painters like Ad Reinhardt, Barnett Newman, and Mark Rothko. The performance elements of his work hearken the bodily action painting of Jackson Pollock or Helen Frankenthaler. His work activates these histories to contemplate how abstraction and land can invoke a society to consider a more harmonic, sustainable and shared vision of the future.
He has exhibited with Scottsdale Museum of Contemporary Art (SMoCA), Norton Museum, Metro Pictures, the New York University Institute of Fine Arts, Brintz + County Gallery, Hannah Traore Gallery, Ace Gallery, Mana Contemporary, Dallas Contemporary, and the School of Visual Arts.
Perkins’ work has been featured in Four Seasons magazine, Architectural Digest, Domino, Wallpaper*, Artsy, Hodinkee, Robb Report, LUXE Interiors & Design amongst others. His brand collaborations include Stetson, West Elm, J. Crew, Huckberry, Sleepy Jones, Lulu & Georgia, Faust Wines, UBS and The Council of Fashion Designers of America (CFDA). Perkins received a BA from Yale University in Chemistry and a Master’s from the School of Visual Arts in Photography.
He lives and works in New York City and Fire Island, NY.